boss fv-60 volume pedal manual

boss fv-60 volume pedal manual

LINK 1 ENTER SITE >>> Download PDF
LINK 2 ENTER SITE >>> Download PDF

File Name:boss fv-60 volume pedal manual.pdf
Size: 4964 KB
Type: PDF, ePub, eBook

Category: Book
Uploaded: 25 May 2019, 21:21 PM
Rating: 4.6/5 from 557 votes.

Status: AVAILABLE

Last checked: 18 Minutes ago!

In order to read or download boss fv-60 volume pedal manual ebook, you need to create a FREE account.

Download Now!

eBook includes PDF, ePub and Kindle version

✔ Register a free 1 month Trial Account.

✔ Download as many books as you like (Personal use)

✔ Cancel the membership at any time if not satisfied.

✔ Join Over 80000 Happy Readers

boss fv-60 volume pedal manualCompact and lightweight design for convenient portability. Please contact them to ask about shipping. Shipped From No Stairway. The tuner can remain connected independently of pedal operation. Compact and lightweight design for convenient portability.Please check the fields highlighted in red.Currency. No PayPal ! Verkaufe hier Orignal Boss FV-60 Volume Effects Pedal - Made in Japan.Guter gebrauchter Zustand - siehe alle Bilder.Lieferumfang wie abgebildet, ohne weiteres Zubehor. Sollte das Geld nicht innerhalb dieser Frist eintreffen, sehe ich das Geschaft als nicht zustande gekommen. Dieses ist ein Privatverkauf. Jegliche Gewahrleistungsanspruche, Umtausch sind somit ausgeschlossen! BOSS High Impedance Volume Pedal Guitar Effects Pedal FV-50H from Japan.You are the light of the world. It's super solid built and sturdy. A lot heavier than I expected. Fantastic piece of gear! I found a Boss FV-60 (which is a stereo volume pedal) lying around so I gave it a try. I tried to connect output 1 or output 2 to Remotes pedal inputs. But what ever I did or try, KPA always turned on the tuner when I connected this pedal and the pedal didn't work. Always turned on the tuner. Here there are settings that allow you to change pedal types and functions. Non remote users have the same for the pedal jacks. But all remote stuff is greyed out. But like I said, I tried the settings on system menu. I'm gonna try with different cable and also test the pedal itself somehow if its working at all Of couse, you can put it in the loop and use it as a normal volume pedal - as with a real amp. You can also get it to work as an expession pedal, but this woul dneed some soldering at the cable (or the pedal). At the end of the day you will still have a pedal with a logaritmic potentiometer, which is not as practical as a linear one. At least for the use as an expresion pedal. There are several ways to do this. By continuing to browse this site, you are agreeing to our use of cookies.http://gestmase.com/media/images/boss-de-200-manual.xml

Tags:
• boss fv-60 volume pedal manual, boss fv-60 volume pedal manual, boss fv-60 volume pedal manual pdf, boss fv-60 volume pedal manual download, boss fv-60 volume pedal manual free, boss fv-60 volume pedal manual 1.

If you would like to use all features of this site, it is mandatory to enable JavaScript. With our cookies we would like to offer you the cleanest shopping experience possible with everything that goes with it. This includes, for example, suitable offers and remembering preferences. You can view and manage further details and options here.Always with customised added value for musicians. Close Service Contact us Help Other than that, it does it all: Dual inputs and outputs allow stereo keyboards to operate at their best; a Minimum Volume knob gives users at their disposal the control to preset minimum volume. Additionally, the FV 50 L also functions very well as an expression pedal. Thanks to its low-impedance design, it is also a great choice for guitarists who want to control the master volume with a pedal in the effects loop. As regards this feature in particular, normal guitar volume pedals often do not function properly, but the FV 50L resolves this task with flying colours. Another very convenient feature is the Tuner Out; this enables the user via to tune silently a connected tuner! Of these, 48 customers have written no texts or given their feedback in another language. 4 21 Customers 21 customers have given this product a 4-star rating. Of these, 19 customers have written no texts or given their feedback in another language. 3 6 Customers 6 customers have given this product a 3-star rating. Of these, 6 customers have written no texts or given their feedback in another language. 2 2 Customers 2 customers have given this product a 2-star rating. Of these, 2 customers have written no texts or given their feedback in another language. 1 2 Customers 2 customers have given this product a one-star rating. Just be sure you need a volume pedal, not an expression pedal. Send report 35 text reviews in other languages available Rate product Standard Delivery Times.http://www.landpas.pl/upload/boss-de-200-service-manual.xml The Minimum Volume allows you to In this way, there is no sound To remove stubborn dirt, use a mild, non- In the event Contact qualified service. To start viewing messages,They are here to help. There's also an auxiliary output used to send the signal to a tuner. The pedal is 100 passive. No batteries or ACs here. I can find precious little information on the Internet about this bugger of a pedal beyond that Steve Vai used to use one with Whitesnake. That still doesn't give me much of a sense of what this thing can do on its own or in conjunction with other effects. - KeithI think controling the volume is the only thing you can do with it.Cool! Thanks, Eric. I wonder what the difference is between the FV-60 and the FV-50H.Actually, it might work just fine. Works like a charm! I mainly use them for keyboard and midi modules connected to the keyboard but also for controlling the volume of soundtracks used for some live performances. All three pedals work great and are of good quality. I especially like the FV50L because it is considerably shorter than the others taking up less room and it is made of lightweight but sturdy plastic. If you are rough on foot pedals the FV200 (an older model) or FV500L would be a better choice depending on the features you want. The FV50L has the minimum volume level control and a tuner output but it doesn't have the adjustable feel control that the FV500L has. The feel resistance on the FV50L is fine for me and I never had to touch that control on the FV500L as it was fine right out of the box. The FV200 only has the minimum volume level control. There is virtually no extra noise added from any of these pedals and no noisy pots even in the old FV200 that I bought used. The volume sweeps are all smooth and even. See pictures to compare.http://www.bouwdata.net/evenement/bosch-k-jetronic-fuel-injection-service-repair-manual At first I couldn't decide which pedal would be best so I bought all three and they are all good with the FV200 being the least desirable to me because it is longer than the others and doesn't have the tuner out though I don't use that feature with keyboards. Professional;y designed and constructed and sturdy. Verisign. That'd be pretty difficult to implement, unless the thing was actually a volume pedal. Are you sure that you didn't do anything differently at the beginning?Does it have a 20K ohm pot then. I've tested my M13 out with a 25k ohm audio taper pot and a couple of jumper wires, and that one works with no problems. The taper isn't linear of course, but there's no jumps. In that case, a 20K ohm pot should work.This is not recommended for the inexperienced.)That was pretty much ignored. I had a shortboard for a while that was sturdy as hell. If the EX-1 was as well built as the expression pedal on that thing, I'd have already bought one. What would you like to see in a bad ass new expression pedal made specifically for guitar players. I am with you guys, I am tired of the same old exp pedals we have all been stuck with.:):) Not crazy expensive is a definite PLUS. Doesn't really make a difference compared to the EX-1. I tried my normal Mono Ernie Ball pedal (the 6166), but that doesn't work. But my other M-Audio gear has lasted a long time and if you're not jumping on this it should be ok for some real use. It is smooth and works well—I've used it with TC G major and Nova System as well. The Ernie Ball VP's are heaven. I'd be happy if every foot pedal made was like the Ernie Balls. I have not tried my VP JR yet with the M13: will let you know tomorrow.That is simply ridiculous. Anyways.back to the subject on hand. I bought a moog ep-2 and it worked fine for the fm4.about a week later it would only switch between two diff settings not transition.http://americanpatriotbeer.com/images/boss-fv-60-volume-pedal-manual.pdf The pedal works with the m13 but the sweep starts at point a at the heel down hits point b about mid sweep then back to point a at toe down. This is most likely do to a 20k pot. This is a damn shame because the pedal is solid, cheap, and oh so smooth.That must be the reason. Why didn't I think of that. I'm not too sure about why it doesn't work. It seems like something like this would be universal. Tho, that would make life way too easy. I can't find any info about the ep-2 pot. I heard that a 20k won't work. I'm guessing thats what it is. I will try to change the pot.but the ep-2 uses a string to twist the shaft so it might be a pain. I don't know.this is giving me a headache.all I want to do is have the ability to express freely. It should be possible to use a Dunlop mr. crybaby which is a combination of a volume pedal and a wah pedal. It has a: Pedal sweeps 100K ohm Hot Potz potentiometer I hope someone could help me cause I don't know if it works.I guess diabetics shouldn't attempt to use the EP2 then. Maybe next time you have a gig grab a big bowl of coco puffs? The pot's resistive value is typically printed somewhere on the pot itself as well, if you feel like opening the pedal up. Message was edited by: cobd04 It worked, but the sweep was pretty messed up. It wasn't very useful.I've been able to reproduce mincer's results with a 25K pot on its own. A wah isn't quite wired up the way an expression pedal is though, and a 100K pot isn't going to be within the usable range.It is not shipping yet, but it has a 25 kOhm logarithmic pot, looks extremely rugged and blows away any other pedal that I've seen in terms of visual design. Take a look at the pics; I'm curious if others agree.Amazon says Oct ship, AMS says Dec.The TC electronic website says that it's actually a 25K LINEAR taper pot though. Personally, I'd rather have a linear taper pot in my exp pedal than a log pot. I don't have the equipment to check the resistance.http://www.champcaregivers.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626eca1dda76b---bosch-mum-8-professional-manual.pdfdo you know anything about wiring the pot differently to change the resistance.I heard that the line 6 pot was also a 20k but it is wired a certain way.i'm not too familiar with this really. Unfortunately given my experience with the Nova System (and many many others,) that did not extend to the unit itself. Line 6 users probably don't realize what a hassle-free product-introduction the M13 was in comparison. The TC electronicIt says 'linear' on introduction page and 'logarithmic' on the main features page. Same with the VP-1 volume pedal model (except that says 250kOhm on one page and 25kOhm on the other.) I can only assume it is 25 for the EX-1 and 250 for th VP-1. As for the taper—we'll have to see when it ships. My ErnieBall VP Jr 25kOhm model has a tiny switch that allows 2 different tapers; gradual and a bit more extreme. Really nice feature for volume or expression use: I really like the feel of the EB pedals more than anything I've ever tried.And then not looking at it.to see if I still like it.That is certainly making the EB seem more appealing.Nice looking pedal in any case;). I'm pretty sure I've used the passive model as a expression pedal in the past—but not on m13.I've seen Robben Ford get tremolo fx on the fly using this and you'd swear he's using an effect. My foot is not that developed but I can get close to that consistent speed.There seem to be very few moving parts in that design.I guess it depends on how you use it. I've had two of them for probably 7 or 8 years now and these always worked fine. I actually like the fact that it's very easy to remove the rubber feet and mount them on a pedalboard. It's kind of ironic because the fact that they're lighter makes them really easy to mount!If you want to use it as wah though, I could see that it isn't great. They won't move on their own at all. Again, mine are both older, so I don't know if they've changed anything on newer ones or not. I don't think it is a horrible pedal.www.ecolecielbleu.com/ckfinder/userfiles/files/canon-1d-mark-2n-user-manual.pdfi mean it is a one trick pony - the mechanics are more than simple.It would be nice to have a more rugged casing.I want the actual physical motion of the pedal to be larger.But that's just me. This is what I used for the TC G Major and it worked beautifully. This could be stored at the preset level.I've been using that as my expression pedal for the time being. It's a pain having a big, extra board to plug in though. Gonna be a good 4 to 6 weeks till I get it though. In the mean time I'll continue my search for an inexpensive, rugged pedal that'll work with the M13:). I just looked up the schematics for the VP Jr pedals, It just switches a 220K ohm resistor in parallel with the volume pot. Nothing like that on the 25k model. Message was edited by: cobd04 It looks like its still plastic, but looks more durable with a further sweep range than the L6 EX-1 and is pretty inexpensive. Anyone know what kind of pot it has. I couldn't find anything on it.Something with the same basic design, feel, materials, etc. Basically any two parameters that you can sweep through with just a click of a button to toggle back and forth. That would be incredible. Please Line 6?!? If I intend to use an Ernie Ball VP JR active (25k).And which jack on the VP JR do I plug into. Thanks in advance!! I used both cables successfully when I used a VP jr to control a TC G major. You must have the 250k passive pot one, which is in the non-compatible list. You'll see the parameter respond to the first movement of the pedal immediately after connecting it, then nothing. It's my favorite volume pedal and I'm using it as such, but if you want the EB form-factor as an exp pedal you'll need to buy the active version with the 25kOhm pot.It doesn't travel the entire parameter. I cannot sweep the pedal all of the way down and up. I am going to purchase a couple and change the pots out to linear taper. I was thinking about changing the pot, but it says on their website that you cant do that.http://global-poseg.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626eca3683864---bosch-mw-pump-manual.pdf If you have experience and are successful in changing the new ones, do you mind posting the directions and the parts needed to do the job?! I and probably tons of others would be greatly appreciated. The main thing I guess would be to find the proper make and model of the pot. I'm the one who reported that the M-Audio EXP worked. I have'nt used it for volume but I'm using it for mix, rate, depth, pitch and other parameters and it sweeps the full range that the m13's controls do. Now both work fine.My apologies if I missed something! I was not using the M-Audio EX-P to sweep any parameter from 0-100 so I never noticed the fault.I regret any inconvenience I caused! Maybe my EV-5 is just broken. Exactly as shown in the video.I don't know.No sound but it demonstrates that the EV-5 works very well.It has a 250k Log pot in it. I bought on and tried it hoping it would work, but it looks like it's going back. I'm gonna try a Moog EP-2 and hopefully mod it to work.we'll see. I found a PEC sealed pot at my local electronics store. The shaft on my new pot was extra long so I cut it to the length that I wanted with a dremel.Check to make sure that your new pot shaft fits through the brass wheel. I needed to enlarge mine slightly. You can do this with a hand drill and a vice.You will need a soldering iron for this.Just sent out my info today.love free stuff:) They told me it is a 20 kOhm Linear pot. So I've ordered mine. I took lots of fiddleing around. I pretty much rewired the entire thing. I added a resistor on the pot (which is a 100k linear) to try and bring it down to around 10k (quite a challenge). It ended making it a log pot which is of no use. So, I just had a 10k linear pot sitting around and thought i would try it. The shaft wasn't quite long enough so I glued the piece that connected to the string on the shaft and it works like a charm. Then I just had to move the pot to get it to rotate in the right range. Also, I had to use the small 16mm(I think) pots.http://www.unidacardoso.com.br/wp-content/plugins/formcraft/file-upload/server/content/files/1626eca45eabe4---bosch-mot-251-manual.pdf Not the bigger ones. It's good to note that it can be modded to work though.We've already determined that the M13 can work with up to a 25K ohm pot. Anything between 10K and 25K seems to work pretty well.The 25K model works but fine, but the response is not linear because it uses an audio taper pot. In other words, it sweeps the M13 faster in the last half of its travel than in the first half of it's travel. It's still plenty usable though. The 250K model does not work as stated above. Are there anymore that could be added to this list. What about the Ernie ball 6166.it might say something in this discussion but I dont' feel like reading the entire thing again. I found some very odd instructions for it on the net, half in, half out, ring sting setting (what ?). If some one says it don't work I'll try and get my money back It sounds like its a keyboard expression pedal. You could give it a try and see if it works. If not, send it back saying that they printed wrong information. Shouldn't be a problem. Message was edited by: geertbeks How much does it go faster after this point? How much difference would there be between a linear-pot and a log-pot? Also, both work backwards, increasing a parameter as the heel goes down.This is a forum. You have to look for Line6xxxxx with a wrench to know that it is for sure a Line 6 answer. I, as the Product Manager for the M13, have not jumped into this thread because this is forum is about users sharing their thought and ideas about other expression pedals. The Moog EP-2's pot was the one that needed to be replaced. The taper of the VP-Jr isn't exactly linear, though, as it uses a log pot. This has been noted in the list.I determined that the M13 is compatible with anything between a 10k ohm to a 25k ohm potentiometer. Anything with a greater resistance than 25K ohms may cause some strange behavior. I didn't have any potentiometers on hand that were below 10K ohms, so we'll use that as our floor, just to be safe.chicken-cage.com/d/files/canon-1d-mark-2-user-manual.pdfLinear taper is preferred, but Logarithmic taper is acceptable.Here's a link:Try that, and see if it works. It does come out to 10K ohms. I can't speak for the KB37 though. I've only played around with the M13. Many wah pedals don't use linear pots though, hell, most of 'em don't.The full-sized stereo 25k ohm model might work. If you're unsure of the pedal's specs.best to try it out first. You're not gonna hurt anything by using an incompatible expression pedal with the M13. Some say it works when using the right polarity and some say it doesn't work well. What's the final verdict guys? So far i'm planning to just get an ex-1, because there is no decent alternative, or.? You cannot get the full 0-100 sweep. My apologies again for any confusion. As soon as I did get the EX1's they worked perfectly. Would a cheaper unit - just for that purpuse - do the trick?I tried the Roland EV-5 first but I couldn't get the fartin thing to produce a full sweep (even though someone posted a youtube video with the full sweep, mine sure as hell didn't), then I took it back and went to Sam Ash and bought the FV-500H.I think I'm going to have to break down and do the same.:( Or any expression pedal with the M13 from what I understand. This has been covered in the forums but I'll repeat it because it's extremely importantThe Dawn Expression Pedal bt Red Rocket Box. Looks great for having such a small footprint.And not the FV-500L?Yes, a guitar generates a high-impedance signal (unless you have active pickups or a buffer somewhere in your signal chain). But the expression pedal for the M13 has none of the guitar signal getting routed through it. All the alterations to the signal are happening inside the M13, the expression pedal is just like a big external potentiometer that controls varying settings.It's got a 10K ohm potentiometer in it. The FV-500L uses a 20K ohm potentiometer, which should work without any problems.He explained if I was using this as an EXPRESSION pedal that the impedance level is IRRELEVANT (the FV-500H Expression is 10 (k) from what Boss told me), to clarify this, in other words, the High impedance is only relevant to the VOLUME PEDAL part of the 500H. But, he did touch on something you mentioned about plugging this pedal to a relatively 'low impedance' device, if that's true about the M13 (being relatively low impedance) then there may well be some noise because the Volume Pot is 250 (k), not 10 (k).I plugged the FV-500H directly to my amp as a Volume Pedal only, Absolutely No Added Noise Whatsoever, the volume pedal worked great and you can control the min and max values with that knob, (see pic)Gotta set the minimum volume at about 50, but it functions just like the EX-1 and feels much better underfoot.Message was edited by: Xeuma EX1 is more inexpensive and a cheaper plastic pedal - it is a good pedal though. Ernie Ball VP JR is made of metal and has a larger sweep. Also a good pedal. This is my first post here.So far I've liked what I've heard. The only problem has been with the expression pedal. I bought the Boss FV-500H but it doesn't seem to work correctly with my m13 though ou812hu got it work with his. My problem is somewhat same like here:While I try to configure the pedal to change for example Pitch of Growler and set it to 0 at heel pos.This stops at about 20. The minimum pitch also changes a bit all the time when trying to set the parameters to 50 and 100 and after sweeping the pedal. I've tried to connect the pedal to both exp.Best results have been with the min.I'm trying to save board space and these look like a superb way of doing so. I can't imagine why they wouldn't. it's not a pot, but it's a 100k value.:\ There's a little bit in the heel-down area where nothing changes. I guess that's just the way it is. Not to mention the pick of destiny.It's a decently built pedal, and I haven't had any problems with mine so far. I wouldn't pay 50 dollars for one (got this one for free via the rebate), but overall I don't expect it to die on me in the next few years. The FV-500L is a beast. Almost as big as my actual foot (I'm a size 14 shoe). Very nice.adjustable tension, feels great, will probably last forever. Also twice as much as the EX-1, and a bit heavier as well.The FV-500L is my main expression pedal, and the EX-1 is my secondary expression pedal. Both do the job just fine. I don't think it's a fault with the pedal. But the fact that your settings are going wacked when not touched is very strange.Does it matter whether you're in manual- or autosave mode. I haven't noticed any difference but maybe I've missed something. Though I think I've tried almost everything but no success still. I'll play with my setup tonight, soon actually. I just received my free EX1 in the mail today so I'll be messing around with things. If I find something that can be helpful for you I will post it tonight or tomorrow. Strange cause I didn't have this problem last time. Although, eventually I did get it to work by simply by unplugging the cable out of the Boss 'many times' till I got a full sweep. Now, for whatever reason, it's working perfectly again. I tried to recreate the problem again but not successful, hmmmm. But it's good that you got it to work. I might just continue on trying to get it sweep fully. I could build something like that in about a half an hour;). Expression pedals will ultimately give you better control, but something like that will work as well.Simple stuff, really. I picked one up a few weeks ago, and am really impressed. IT WILL NOT WORK without some sort of modifcation done to the pedal. I purchased it brand new and tried it for the first time today. I'm not messing with it, I'm sending it back and getting the EX-1. I have the Boss FV-500H that I'm using for a volume pedal and I'd love to use another one for my expression pedal, but unfortunately I don't have enough room on my board for a second one. So EX-1 it is for now. Maybe it's a sign as to how you can identify a pro company from a lame one. Look at their expression pedals.LOL. The polarity was reveresed, etc. You just need to set the parameter of the effect to the left, set the pedal down. Set the param. to the right, set the pedal up. Somtimes it won't go all the way up or down, then you have to start with the pedal. A littel unvcomfortable but well thought throught, because you can set the limits anywhere you want. The MP-201 can hook up to 4 things at once, plus 4 channels of MIDI, and goes directly into your computer via USB to control software synths and guitar plug ins. not bad!As I understand it, it is incompatible due to two main problems.I'll come back and report on my success. It's gonna be the bomb. I also can use it's tap tempo and get it to display what tempo I'm tapping. A very important feature which the m13 lacks for some reason. I'd like to call it the pedalboard dictator.Control Freak would have been the best name for it - you better contact Moog. I'm barely scratching the surface right now, but it's working out great and they're going to update the software with a bunch of user requested features soon.It's really on there - I can lift my entire pedal board with the MP-201.For Line 6 gear, and for the HOG, set Heel to 0.00 and Toe to 2.36 - 2.50. And don't forget to calibrate the pedal so that 0.00 is really 0.00 etc.I'm going to hook up MIDI as well and see if this thing can get the M13 to make coffee. Genius at work here. Doh! We developed this Privacy Policy so you know how we collect, use, share, and store your personal information. If a YGG website, app, or product links to a different privacy policy, then that privacy policy will apply to your use of that site, app, or product. When we combine other information (i.e., information that does not, on its own, identify an individual or household) with Personal Information, we treat the combined information as Personal Information. You will use your email address or username and your password to login to your account. Your YGG account will be password protected. We use your name to help verify your account when you contact customer support. If you choose to do this, when you log in to your YGG account using social media login credentials for the first time, you will be asked whether you agree that the social media provider may provide certain information to YGG, such as your name, email address, profile photo, posts, comments and other information associated with your social media account. YGG uses the email address provided by the social media provider to associate it with your YGG account so that you can use your email address to log in to your YGG account in the future if you no longer wish to login using your social media login credentials. We do not view or store your payment card information. A third party processes customer payment card information when YGG customers use a payment card to make a purchase on a YGG site. We may collect the text of your communications, such as your questions, comments, or compliments about our products or services. We also may create event logs that are useful in diagnosing product or app performance related issues, and capture information relating to the support or service issue. We use this information to provide you with customer and product support. We may access your YGG account in order to assist us in providing you the necessary assistance. We may use your comments or compliments, without identifying you by your full name, as testimonials in our advertising or marketing. We associate your unique device ID with information that you may have used to register for certain services or purchase products. Server logs that are maintained by us or by our third-party service providers contain information about the services that you have used, and your device-specific information. We use your IP address or unique device ID address to track device-event information such as crashes, system activity and hardware settings, and also to control access to certain services or applications. We may share Personal Information about you with such third party service providers to the extent necessary for the sole purpose of enabling them to perform services on our behalf. In such cases, we will ensure that the country provides adequate protections or that the recipients are subject to appropriate safeguards including EU approved standard contract clauses. Please note that any information you disclose through such services or otherwise on our sites may become public information and may be available to visitors to the sites and to the general public. We urge you to exercise discretion and caution when deciding to disclose Personal Information, or any other information, on our websites or apps. To the extent that the terms and conditions of any such promotion regarding the treatment of Personal Information about you conflict with this Privacy Policy, the terms and conditions of the promotion will control. This information includes IP address, geographic location of the device, browser type, browser language, date and time of your request, time(s) of your visit(s), demographics, page views and page elements (e.g., links) that you click. We may use cookies, pixel tags, web beacons, clear GIF’s or other similar tools on our site or in our email messages to assist us in collecting and analyzing such information. We use this information to provide better, more relevant content on our site, to measure the effectiveness of advertisements, to identify and fix problems, and to improve your overall experience on our site.